WHO are our volunteers and WHAT do they do?….
Our volunteers are from all walks of life (and all stages of life!) and the roles they fulfill are equally varied.One of the more specialist groups of volunteers at the Kirkgate Centre are our live event technicians. Whether it’s live sound for a band, or stage lighting for a theatre show, this group are essential to create the right atmosphere for all our live events. We’ve been lucky enough to have a few new volunteers join this team over the last few months, and we’re hoping that working together with other more experienced tech volunteers will encourage them to continue to learn their craft with us.
We caught up with two members of team recently, to have a chat about them and their roles. We wanted to share what a wide range of people come along to get involved at the Kirkgate, by comparing experiences of volunteers young and old(er)… Kev has been volunteering at the Kirkgate Centre for around 15 years, initially through Cockermouth Live, and has been providing sound engineering support to numerous bands and artists. He has also helped us to improve our live event sound with advice on equipment as well as training other volunteers in using the kit safely and effectively, and despite being 71 he can still rock out with the best of ‘em! Daniel is at the start of his Kirkgate journey, at just 15 he’s already perfectly happy behind a tech desk, operating sound and lights for a variety of events.
Tell us about your sound tech journeys, how did you first get into the technical side of performance, and where did that lead you?
Daniel- ‘I’m a student at Cockermouth School and signed up to help with the setting up of tech (plugging in microphones etc) for our school show in 2022, which I really enjoyed. I assisted with ‘Oliver’ and ‘Chicago’, learning what needs to be done from Dominic (who was operating the tech desk for the shows). When I was in year 9 at school Dominic found himself in the cast for The Sound of Music so it fell to me to take on mixing the sound and I haven’t looked back! It was a great experience using the Qu24 digital mixing desk alongside an Allen and Heath box. Both my parents have a wealth of experience working behind the scenes for shows, so it’s familiar territory for me. Working on school productions gave me a thirst to expand on my knowledge of production, so in the summer of last year I attended a course with Peter at the Gather, this was a training course in lighting, sound and video. After that I started helping with events at The Gather, and more recently at St Bees Village Hall. Although most of my experience is with theatrical productions I also love providing lights and sound for live music events, but musicals are probably my favourite.’
Kev- ‘We didn’t have the luxury of a sound desk when I started learning about live event tech! I was around 15/16 and in a band. Our kit list was considerably shorter than the equivalent bands would be these days, with just a 6 channel 120Watt PA system, although we thought we were the bees knees with our set up! There were no faders, just very basic tone control. Anything more advanced was prohibitively expensive back then. Later in the 70s the technology started to improve, but it was really into the 90s before good quality equipment became remotely affordable. My third band (around that time) finally had a full mixing desk and monitor speakers, things that most groups would take for granted today. Since the 2010s I’ve favoured using RCF speakers, with an Allen & Heath analogue mixer. Digital desks were still far too expensive for most at that stage. Aside from learning to operate sound with my own bands, my interest in sound engineering for others started around 2010 with Cockermouth Live and the Maryport Blues Festival. Often community events such as these don’t have the expertise within the organising team to get the best performance quality, so I began assisting with the tech and joined the committee to help bring the standard up on the production side. Having good quality (and reliable) equipment is so important- it’s unfair to the musicians (and the audiences!) if their music isn’t heard as it should be.’ |