Being a projectionist, and perhaps even more a Duty Manager for films, could be a nerve-wracking task for a volunteer. It’s why I used to refer to the Kirkgate experience as “live Cinema”. It was unpredictable. You never knew whether the film or the equipment would behave. You’d get an eagerly awaited film and a full house and the (very expensive) bulb would blow, so everyone had to go home with a refund. I remember that happening for Brokeback Mountain. I would breathe a deep sigh of relief if the film had been underway for 10 minutes without incident. Despite this we built up a very loyal audience.
Way back in 1996 it was not usual practice for cinemas to enable advance booking. You simply had to queue up, the bigger the queue, the better the publicity. In pre-Kirkgate days I remember queuing round the block in Workington for “Shirley Valentine” and then not getting in. The volunteers of the Kirkgate film group adopted the same policy initially, and queues through the car park were not uncommon – OK on a fine summer evening but on a damp November night far from it.
When the system was changed it took a long time to filter through to the audience that booking was available, and indeed advisable, particularly if the film starred Dame Judi Dench ! I also remember a French film about a rural primary school, which had received rave reviews in the Guardian, being sold out, to the ire of regular audience members who protested “But it’s got subtitles, subtitled films never sell out!”
We’ve come long way from then. The old 35mm projector was eventually retired and we moved to DVD’s and Blu Rays via a digital projector before the splendid and very precious all-singing all-dancing machine we have now.”
It is indeed a fine beast of a projector! Films are now delivered straight to a ‘server’ by the distributors and then ‘ingested’ onto our digital projector, and of course our National Theatre Live streamed events, from stage to satellite to screen. It is quite compact, compared to the previous set up of cake stands and 35mm, but we wouldn’t want to have to move it again! Getting it up the stairs was quite a challenge for the cinema engineer and our operations manager! (pictured below – checking the glass is nice and clean where the image is cast through to the auditorium). |